蘇格蘭獨立搖滾樂團 The Snuts 預計 10/23 發行全新第四張專輯《Joy In Short Moments》,收錄 11 首歌曲,回歸日常本質,在微小事物中尋找意義。推薦首支夏日電擊主打〈Defibrillator〉,描繪了在人生盡頭選擇與摯愛共同狂歡、重拾活力的豁達心境。面對生活的黑暗與無常,我們不必看得太過嚴肅,及時行樂,盡情享受當下。
來自洛杉磯的搖滾三人組 Temper City,由以色列裔詞曲創作者兼製作人 Eytan Peled、Chen Kordova 和 Aviv Barenholtz 組成。擁有豐富音樂產業經驗,曾為 Barns Courtney、Dimitri Vegas、Fuerza Regina 和 Zelda Dead 等創作,三人玩音樂一拍即合最後組團。
今年 2/15 釋出首支單曲〈Self Aware〉,強調沒有使用 AI 技術,只有純粹的室內演奏,憑藉著另類搖滾的洗腦復古旋律和情感拉扯的寫實歌詞,推出即爆紅。目前正在世界巡迴演出,預計年底前發行首張專輯,帶來更多原始的音樂能量。
Temper City, a rock trio based in Los Angeles, consists of Israeli singer-songwriter and producer Eytan Peled, Chen Kordova, and Aviv Barenholtz.
Drawing from their extensive industry experience writing for artists like Barns Courtney, Dimitri Vegas, Fuerza Regina, and Zelda Dead, the three shared an instant musical chemistry that led them to form the band.
On February 15 of this year, they released their debut single, ”Self Aware.“ The track proudly features no AI technology, only pure, live room recordings. Driven by an infectious, retro alternative rock melody and raw emotionally resonant lyrics, the song became an instant hit.
The band is currently on a world tour and plans to release their debut album by the end of the year, promising to deliver even more raw musical energy.
Directed by Temper City & Tsuf Kazaz
Lyrics & Translation 歌詞:(by 好青年 中譯)
Written by Eytan Peled, Chen Kordova & Aviv Barenholtz
Hall 主舞台是可以容納 1200 人的開放式空間,Theatre 舞台是可以容納 700 人的環形劇場,座位採階梯式,前方設有搖滾區,對樂團來說是蠻特別的場地。Bar 舞台是可以容納 300 人的小型 live house 空間,使觀眾跟表演者能夠近距離互動,也可在一旁的座位區享用食物,同時觀賞演出。
來自美國的 Standards 是一支技術性強、充滿創意的數學搖滾雙人樂團,他們的音樂不僅展示高超的演奏技巧,還充滿活力和創意,這次特別趣味翻玩《超級瑪利歐兄弟》主題曲,並對英國的鹽醋洋芋片驚喜讚嘆,令人莞爾!法國樂團 Year of No Light,風格融合後搖、後金屬與瞪鞋,還有融入毀滅金屬的元素,彷彿黑暗籠罩的壓抑感,營造出具有力量深度的迷幻氛圍。
Portals Festival 2024, featuring post-rock, math rock, and new progressive music, took place on May 25-26 at EartH in Hackney, East London, with 35 bands performing across three stages. I am thrilled to be invited to cover the event and excited to share my first-hand experience.
The Hall main stage is an open space accommodating 1,200 people. The Theatre stage, an amphitheater seating 700, features tiered seating and a standing zone at the front, providing a unique experience for the bands. The Bar stage, a small live house space for 300 people, allows for close interaction between the audience and performers and has a seating area where attendees can enjoy food while watching the performances.
Day 1 - May 25
Japanese artist and musician Yoshino Shigihara's creation, Yama Warashi, kicked off the festival. Their music blends electronic psychedelic rock with Japanese folk and African music elements, creating an experimental sound exploration reminiscent of mountain-dwelling spirits, providing a holistic artistic experience.
After a seven-year hiatus, Irish math rock band Enemies made a comeback. Their solid bass lines and well-matched guitars, coupled with their enduring energy and emotional intensity, warmed the entire venue. Hope their new work will be coming soon. Danish trio Town Portal intertwined math rock and progressive metal with layered, complex rhythms. The interaction and technical display between instruments were stunningly intricate and impressive.
Japanese band LITE ignited the night with their energetic performance. Their style, a fusion of math rock, jazz, and experimental electronics, showcased impeccable technique and dynamic rhythms, creating a visually and audibly rich feast. The hour-long set had everyone moving and enjoying a vibrant sensory experience. Belgian shoegaze band Slow Crush enveloped the audience with dense guitar walls, ethereal melodies, and profound emotional expressions. Amidst swirling smoke, their performance felt like a dreamlike vortex, evoking an out-of-body experience.
American post-rock band This Will Destroy You headlined the main stage, offering an immersive musical journey. Their performance was akin to watching a deep and beautiful film, with expansive and psychedelic soundscapes. The emotions swayed with the beautiful yet melancholic melodies, rising to a crescendo before gently falling, creating a powerful emotional resonance.
Danish band MØL ushered in midnight with their blend of shoegaze and black metal. The intense vocals, rapid guitar riffs, and heavy dreamy sound walls instantly released endorphins, bringing immense joy and making us feel incredibly fortunate that night.
Day 2 - May 26
American duo Standards brought their technically proficient and creatively vibrant math rock. Their performance was lively and inventive, including a playful rendition of the Super Mario Bros. theme and an amusing commentary on British salt and vinegar crisps. French band Year of No Light merged post-rock, post-metal, and shoegaze with elements of doom metal. Their music created a dark, oppressive atmosphere with a powerful and deep psychedelic aura.
"It's a really crazy festival, and everyone is enjoying the music, as if from different worlds," commented bassist KT Chang.
Taiwanese math rock band Elephant Gym, celebrating their tenth anniversary, captivated the audience with their complex rhythms, unique tones, and dynamic melodies. Bassist KT Chang, guitarist Tell Chang, and drummer Chia-Chin Tu showcased their skills and flexibility, with KT humorously admitting to being tipsy, much to the festival delight. They performed iconic tracks like “Spring Rain”, “Midway” and “Finger” alongside “Feather” from their latest album World. “Ocean in the Night” resonated with the expatriates in the crowd, creating a shared sense of longing and hope. Drift together until they saw the sun of tomorrow.
Guitarist Tell Chang introduced Taiwan to the audience, sharing its culture and hoping to let more overseas fans know about Taiwan and its great music. Feeling proud of Elephant Gym and being Taiwanese, they took pride in representing their homeland.
"We are from Taiwan. Taiwan is between Japan and the Philippines. If you drive from the southernmost city to the northernmost city, it will take six to seven hours. It's not too big and not too small. It’s an island. Most of the Taiwanese people believe in democracy, equality, and love, so that makes us the first place in Asia that gay marriage is legal. However, we have super complicated politics and international relations, so every male has to serve in the military for a year, including our drummer and I, so I am so grateful that I have the chance to tour the world. I am now holding a guitar instead of a rifle and I have the chance to perform for you.” said guitarist Tell Chang.
American band If These Trees Could Talk closed the main stage with an emotionally dynamic performance. Their instrumental music, blending post-rock, post-metal, and ambient elements, featured powerful guitar melodies and rich textures, creating an enchanting musical atmosphere. Despite the absence of lyrics, their music told profound stories, evoking listeners' imaginations and emotional connections.
The festival concluded with a stunning performance by Chinese post-rock band Wang Wen, celebrating their 25th anniversary. They played seven songs, featuring guitars, bass, piano, euphonium, trumpet, and xylophone, creating a multidimensional and rich sound. Wang Wen's mastermind, Xie Yugang, was deeply immersed in the performance, which was profoundly moving. Tracks like “Lonely God” and “Mail from the River” were as captivating and touching as ever, with expansive soundscapes and emotional melodies that conveyed life's reflections and aspirations, touching the soul's depths. Whether it conjured a surreal dreamscape or a hopeful future, whether it enveloped in a chill or a gentle warmth, each sensation was an integral part of the journey. The performance beautifully summarised this year's Portals Festival, setting the stage for a new chapter next year.